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	<title>Comments on: Exploding TV: The atomic bomb</title>
	<atom:link href="http://www.buzzmachine.com/2006/09/30/exploding-tv-the-atomic-bomb/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.buzzmachine.com/2006/09/30/exploding-tv-the-atomic-bomb/</link>
	<description>by Jeff Jarvis</description>
	<pubDate>Mon, 01 Dec 2008 23:54:12 +0000</pubDate>
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		<title>By: richard</title>
		<link>http://www.buzzmachine.com/2006/09/30/exploding-tv-the-atomic-bomb/#comment-328673</link>
		<dc:creator>richard</dc:creator>
		<pubDate>Tue, 13 Feb 2007 14:56:12 +0000</pubDate>
		<guid isPermaLink="false">http://www.buzzmachine.com/index.php/2006/09/30/exploding-tv-the-atomic-bomb/#comment-328673</guid>
		<description>whats up dudes!</description>
		<content:encoded><![CDATA[<p>whats up dudes!</p>
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		<title>By: Radio without Radio &#171; Lines from Lee</title>
		<link>http://www.buzzmachine.com/2006/09/30/exploding-tv-the-atomic-bomb/#comment-152897</link>
		<dc:creator>Radio without Radio &#171; Lines from Lee</dc:creator>
		<pubDate>Tue, 03 Oct 2006 12:50:47 +0000</pubDate>
		<guid isPermaLink="false">http://www.buzzmachine.com/index.php/2006/09/30/exploding-tv-the-atomic-bomb/#comment-152897</guid>
		<description>[...] Jeff Jarvis at Buzzmachine has written much about the explosion of TV and how newspapers need to re-think their role in the changing media landscape. Today I came across another example of how the media landscape is changing, as Desiring God Ministries is taking its daily half-hour radio program featuring Dr. John Piper off the 160 local radio stations that have carried it, and is moving to internet-only distribution (with a CD subscription option for the technologically challenged.) [...]</description>
		<content:encoded><![CDATA[<p>[...] Jeff Jarvis at Buzzmachine has written much about the explosion of TV and how newspapers need to re-think their role in the changing media landscape. Today I came across another example of how the media landscape is changing, as Desiring God Ministries is taking its daily half-hour radio program featuring Dr. John Piper off the 160 local radio stations that have carried it, and is moving to internet-only distribution (with a CD subscription option for the technologically challenged.) [...]</p>
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		<title>By: Matt Locke</title>
		<link>http://www.buzzmachine.com/2006/09/30/exploding-tv-the-atomic-bomb/#comment-152337</link>
		<dc:creator>Matt Locke</dc:creator>
		<pubDate>Mon, 02 Oct 2006 22:19:31 +0000</pubDate>
		<guid isPermaLink="false">http://www.buzzmachine.com/index.php/2006/09/30/exploding-tv-the-atomic-bomb/#comment-152337</guid>
		<description>Miso,

You've got slightly the wrong impression about my use of the term 'aggregator'. In the talk at Picnic 06, I emphasised that the BBC's core strength was as a storyteller - making great content and being a platform for our audience's stories. To illustrate the 'aggregator' point I showed an internal demo we've built that aggregates all the external content - youtube, flickr, technorati, google news, etc - tagged with one of our brands, in this case Radio 1. This was to illustrate that one of the ways we can reflect the conversations going on *around our content* was to aggregate these conversations, utilising the power of the generic aggregators that are already out there (flickr, youtube, etc).

I didn't suggest that we should move into 'generic' aggregation, but that we should be the best place on the web at aggregating the conversations inspired by our content. Of course, if we're not making great content in the first place, there's no point in us doing any aggregation...

matt</description>
		<content:encoded><![CDATA[<p>Miso,</p>
<p>You&#8217;ve got slightly the wrong impression about my use of the term &#8216;aggregator&#8217;. In the talk at Picnic 06, I emphasised that the BBC&#8217;s core strength was as a storyteller - making great content and being a platform for our audience&#8217;s stories. To illustrate the &#8216;aggregator&#8217; point I showed an internal demo we&#8217;ve built that aggregates all the external content - youtube, flickr, technorati, google news, etc - tagged with one of our brands, in this case Radio 1. This was to illustrate that one of the ways we can reflect the conversations going on *around our content* was to aggregate these conversations, utilising the power of the generic aggregators that are already out there (flickr, youtube, etc).</p>
<p>I didn&#8217;t suggest that we should move into &#8216;generic&#8217; aggregation, but that we should be the best place on the web at aggregating the conversations inspired by our content. Of course, if we&#8217;re not making great content in the first place, there&#8217;s no point in us doing any aggregation&#8230;</p>
<p>matt</p>
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		<title>By: Rosenblum</title>
		<link>http://www.buzzmachine.com/2006/09/30/exploding-tv-the-atomic-bomb/#comment-151741</link>
		<dc:creator>Rosenblum</dc:creator>
		<pubDate>Mon, 02 Oct 2006 05:01:08 +0000</pubDate>
		<guid isPermaLink="false">http://www.buzzmachine.com/index.php/2006/09/30/exploding-tv-the-atomic-bomb/#comment-151741</guid>
		<description>For such a large organization the BBC is probably the most aggressive in terms of its understanding of its necessity of morphing. This is driven by the fact that Mark Thompson and before him Greg Dyke understood all too well that the notion of a TV license fee, paid for the priviledge of owning a tv set in the UK is an anachronism that technology has obviated. While Ofcom has approved the next ten years of the BBC Charter, it is likely that it will be the last approval they will receive.  If they dont reinvent themselves, they are likely not to survive.  There is no rationalization for asking people to pay Â£120 a year to see 'television'. Not in an era of broadband.  The question now is whether the staff will be nimble enough to make the necessary changes.</description>
		<content:encoded><![CDATA[<p>For such a large organization the BBC is probably the most aggressive in terms of its understanding of its necessity of morphing. This is driven by the fact that Mark Thompson and before him Greg Dyke understood all too well that the notion of a TV license fee, paid for the priviledge of owning a tv set in the UK is an anachronism that technology has obviated. While Ofcom has approved the next ten years of the BBC Charter, it is likely that it will be the last approval they will receive.  If they dont reinvent themselves, they are likely not to survive.  There is no rationalization for asking people to pay Â£120 a year to see &#8216;television&#8217;. Not in an era of broadband.  The question now is whether the staff will be nimble enough to make the necessary changes.</p>
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		<title>By: Miso</title>
		<link>http://www.buzzmachine.com/2006/09/30/exploding-tv-the-atomic-bomb/#comment-151695</link>
		<dc:creator>Miso</dc:creator>
		<pubDate>Mon, 02 Oct 2006 04:16:36 +0000</pubDate>
		<guid isPermaLink="false">http://www.buzzmachine.com/index.php/2006/09/30/exploding-tv-the-atomic-bomb/#comment-151695</guid>
		<description>Biggest, most common reactionary mistake big media is making in response to the new media space...

"4. Be an aggregator."

Wrong. If you are an established original content provider (i.e. NY Times, BBC, etc.), your status is only made more secure by aggregators. With the BBC's of the world, aggregators have nothing to aggregate. After all, all their content is referential, not original. Right now aggregators are sexy, so everyone is panicking. But nothing trumps original content. If the BBC chief really thinks the path to success is becoming an aggregator, they will be spinning their wheels for nothing. Alas, becoming an aggregator (when you're already an original content provider) is indeed doing a "me too" move, just as he advises against. 

Aggregators are great, but they can only survive with original content sources. Instead of getting scared, original content producers need to simply find ways to simultaneously open their content up for broader user-distribution, and find ways to brand that content so it is harder to strip away its branding identity. Open the content, secure your brand identity, and watch the others flounder in confusion.</description>
		<content:encoded><![CDATA[<p>Biggest, most common reactionary mistake big media is making in response to the new media space&#8230;</p>
<p>&#8220;4. Be an aggregator.&#8221;</p>
<p>Wrong. If you are an established original content provider (i.e. NY Times, BBC, etc.), your status is only made more secure by aggregators. With the BBC&#8217;s of the world, aggregators have nothing to aggregate. After all, all their content is referential, not original. Right now aggregators are sexy, so everyone is panicking. But nothing trumps original content. If the BBC chief really thinks the path to success is becoming an aggregator, they will be spinning their wheels for nothing. Alas, becoming an aggregator (when you&#8217;re already an original content provider) is indeed doing a &#8220;me too&#8221; move, just as he advises against. </p>
<p>Aggregators are great, but they can only survive with original content sources. Instead of getting scared, original content producers need to simply find ways to simultaneously open their content up for broader user-distribution, and find ways to brand that content so it is harder to strip away its branding identity. Open the content, secure your brand identity, and watch the others flounder in confusion.</p>
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		<title>By: bittorent</title>
		<link>http://www.buzzmachine.com/2006/09/30/exploding-tv-the-atomic-bomb/#comment-150994</link>
		<dc:creator>bittorent</dc:creator>
		<pubDate>Sun, 01 Oct 2006 08:41:02 +0000</pubDate>
		<guid isPermaLink="false">http://www.buzzmachine.com/index.php/2006/09/30/exploding-tv-the-atomic-bomb/#comment-150994</guid>
		<description>The thing that holds back the BBC is that every innovation must be checked and approved by the BBC Governors and the regulator Ofcom. The BBC iPlayer (which will offer seven days of viewing on a PC) would surely have been launched months ago if it wasn't for this fact. 

'Auntie Beeb' is under constant attack from the likes of Rupert Murdoch and other commercial vested interests.</description>
		<content:encoded><![CDATA[<p>The thing that holds back the BBC is that every innovation must be checked and approved by the BBC Governors and the regulator Ofcom. The BBC iPlayer (which will offer seven days of viewing on a PC) would surely have been launched months ago if it wasn&#8217;t for this fact. </p>
<p>&#8216;Auntie Beeb&#8217; is under constant attack from the likes of Rupert Murdoch and other commercial vested interests.</p>
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